Showing Records: 1 - 5 of 5
Go Book: Decay. No.28 / Jean-Pierre Armeaux., 1973
As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. In this book, Depew utilized a single woodcut square and progressively removed a increasing portion of it page by page so that by the end of the book only a small, irregularly shaped printed fragment remained. These pages were then mimeographed. The cover depicts a green colored abstract design on beige papercard. -- Source of annotation: Marvin or Ruth Sackner.
Go Book: Decay [Varient Cover]. No.28 / Jean-Pierre Armeaux., 1973
As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. In this book, Depew utilized a single woodcut square and progressively removed a increasing portion of it page by page so that by the end of the book only a small, irregularly shaped printed fragment remained. These pages were then mimeographed. The cover depicts a green colored abstract design on black papercard. -- Source of annotation: Marvin or Ruth Sackner.
rotated alphabet / Knotek, Anatol., 2014
This is a hard cover version of the same book published by No Press in 2010 in 50 copies. The latter was designed with Adobe Photoshop while this book was designed with Adobe Illustrator. -- Source of annotation: Marvin or Ruth Sackner.
rotated alphabet / Knotek, Anatol., 2010
This book was ddesigned with Adobe Photoshop. -- Source of annotation: Marvin or Ruth Sackner.
Rubber Condom Vol.3 / Petasz, Pawel., 1980 - 1982
According to Agius (Artists' Books 2005 catalogue), only Vol.1 & 2 were published. Therefore, this a unique volume. Further, it was submitted to Biennale De Paris for exhibition as evidenced by the label on the back cover in 1982. The cover appears to be accidentally torn but the pages are intact. Petasz writes in the margin of one of its pages "Genuine 15 pages of stupid mandalas to protect your intellect against unexpected insemination by reality." -- Source of annotation: Marvin or Ruth Sackner.